Morning Star
(Yarawi - waynu) - E. Civallero
(Yarawi - waynu) - E. Civallero
listen
This issue was first born on a guitar, as shown in the introduction. The format came later, and the dialogues between instruments, much later, when the song already had a name, even if in Quechua: Chaska Paqarina (literally "Morning Star").
is based on a common traditional musical structure, especially in the central Andes, the Peruvian Andes: the combination the slow pace of yarawi (or yaraví), which always starts the song, and glad wayñu (or huayno), which always ends.
The party slowly but that does not respect the tempo and color format yaraví traditional-is executed with a quenacho , an instrument that got in Spain but was built by a Peruvian luthier, and that by now has crossed the Atlantic three times. The quenacho -a modern instrument with a modern-name also is a serious variety standard flute, which has close relatives among traditional Andean flutes (eg the flute-flute The choquelas or lichiwayu , also used in this paper). It is an instrument of great sound, which requires a good dose of sustained air to produce the best tones and textures. Part of huayno
rests on a charango and guitar, and dialogue is based on a standard flute in G major and a bagpipe malta standard size, ie, the most common intermediate . These instruments 'standard' are the best known among lovers of Andean music, since they are easier to interpret and more commercialized. However, their ways are not always implementation, construction or tuning corresponds to the identity or authentic Andean style.
Anyway ... The poetry of the star of the night, that is until the sun rises, is reflected, or at least that's what I felt when I wrote the song, in two tempos, two beats and two styles combined -as they were traditionally, though with some variations, in one song.
is based on a common traditional musical structure, especially in the central Andes, the Peruvian Andes: the combination the slow pace of yarawi (or yaraví), which always starts the song, and glad wayñu (or huayno), which always ends.
The party slowly but that does not respect the tempo and color format yaraví traditional-is executed with a quenacho , an instrument that got in Spain but was built by a Peruvian luthier, and that by now has crossed the Atlantic three times. The quenacho -a modern instrument with a modern-name also is a serious variety standard flute, which has close relatives among traditional Andean flutes (eg the flute-flute The choquelas or lichiwayu , also used in this paper). It is an instrument of great sound, which requires a good dose of sustained air to produce the best tones and textures. Part of huayno
rests on a charango and guitar, and dialogue is based on a standard flute in G major and a bagpipe malta standard size, ie, the most common intermediate . These instruments 'standard' are the best known among lovers of Andean music, since they are easier to interpret and more commercialized. However, their ways are not always implementation, construction or tuning corresponds to the identity or authentic Andean style.
Anyway ... The poetry of the star of the night, that is until the sun rises, is reflected, or at least that's what I felt when I wrote the song, in two tempos, two beats and two styles combined -as they were traditionally, though with some variations, in one song.
0 comments:
Post a Comment