Actovate Office By Phone

Night falls, wind blows
(Dancing) - A. de Robertis - Arr. E. Civallero

listen

An issue that used to listen to a teenager, in a cassette of "Roots Incas" (superbly played it) or perhaps "Calchakis." Is fully adapted to the instruments employees, adapting to a slow pace of dancing Ecuador. I started the tune with a pair of size mohoseños salliba , played on a simple third interval. The mohoseños are a troop of flutes pinkillo type, ie with a mouthpiece similar to that of the recorder. The full troops usually between 4 and 5 sizes, each with a particular name according to the region in which it originates. The larger size (called salliba , Salliver or downturn) is long enough to cause problems in his breath, so, like the senqatenqana , he has become a fixture or insufflation channel paltjata . Unlike senqatenqana , played vertically, the mohoseño salliba played horizontally, like a flute. Troop
mohoseños Mohoza is originally from Canton, (province Inquisivi, department of La Paz, Bolivia), and country dances traditionally accompanies being executed in her upper register and treble (to remove as many harmonics or "t" interests "). However, when interpreting the mestizo-style urban, mohoseños not touch troops in : usually only take the size salliba , and is interpreted in its low register, as is evident in this track, has a power and a unique texture.
zampoñas The delineating the second part of the melody belongs to the troops of "gang", one of the most common in the Andes. This army-like all-has various sizes of instruments (usually 4) arranged at intervals of octaves and is easier to hear, because it produces harmonic intervals "Western." Zampoñas I used three sizes: malta , sanka and toyo , despite being the three larger sizes of the troops, they sound quite sharp, as the panpipes "gang" sound somewhat higher than other troops.
arpeggiated guitar and strummed the theme provided the basis, supported by a wank'ara , huge double-bass drum goat leather patch, not hoops. To retain some of the traditional sound of the instrument, plucked one of their patches with the traditional "chirlera" or "bass string, a rope threaded with cactus spines serving provides harmonic vibrator and the deep sound of this great hype.
Sadness and gloom emanating from the subject are common factors a part of Andean musical repertoire. Perhaps reflecting the spirit that permeates the landscape of the mountains. Anyone who has spent an evening in the Quebrada de Humahuaca, in the Bolivian highlands, in the Peruvian mountains or the valley of Otavalo Ecuador recognize that the air is full of old memories and absences. Or perhaps talk about a world that was but no longer is, or is it another way: more full of useless borders, barriers harmful losses. Despite all that, another part of Andean music recalls with joy that the roots are still alive and bloom every day, and there is always a corner to save a load of hope.

Photo of caterpillar, " Sunset in the mountains."