1st Anniversary Of A Death What To Say

huaynos Selection
(waynus Selection) - "Sucre" (trad.), "Brujushja huayta" (trad.), "Jog in Lakita" (DR) and "Tupac Amaru" (R. Rivera) - Arr. E. Civallero

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A selection of four waynus -traditional-mostly from Bolivia and Peru, interpreted in its classical form. All have been collected over the years, from different sources and have been adapted so they could form a unit.
The onset corresponds to "Sucre", a traditional theme that includes a trio of flute and two zampoñas (malta sizes and sanka troops the standard), charango Lauck wide background, guitar, wank'ara , percussion (pods, maracas, handclaps) and the classic "Yepe" (screams). The intermediate guitar gives way to "Brujushja huayta", where again a trio of wind (in this case two flutes and a flute-flute ) and a mandolin interpret the melody on guitar and charango . Mandolin solo resolved at the beginning of next wayñu , "Jog in Lakita" which, as its name suggests, is played with three sizes of the troops of zampoñas Lakita . The last item, "Tupac Amaru", is interpreted with a pair of standard pinkillos .
The "Yepe" is an inevitable feature in many Andean rhythms. In the case of Ecuador sanjuanitos acquired the level of conversations, recitations and speeches, which take place behind (or sometimes above) of the melody. Many of the cries built in this area are in English, but others do in the Quechua language. Among them are "shuq, ISKAY, kimsa" (one, two, three), "tukuy sunquywan (wholeheartedly)," charanguituta waqachispa "(playing the charanguito) and" jina " (So). In some Latin American repertoire screams are intimately associated with certain styles: the terms "inside", "first", "second", "return" and "good" zambas , chacareras and cats Argentineans, " tukuy sunquywan, qankunapaq "(with all my heart, for you) and" mana waqaspalla "(not cry) from the Ecuadorian sanjuanitos , or some combination of voices from the Bolivian skirts, plus the guttural cries, or treble waynus the tunes and central Andean area. A feature that colors of local flavor to the music of that region of the world and that allows, indeed, the words in indigenous languages \u200b\u200b(Quechua and Aymara, in particular) that in recent years have seen a new renaissance.

Anardil Photo

"Aguayos ."