The cicada
(Aire de cueca) - D. Montes - Arr. E. Civallero
(Aire de cueca) - D. Montes - Arr. E. Civallero
listen
found this
cueca air in a old cassette "Calchakis" that got lost some time, although, fortunately for me, I saved my musical memory of the process of losing a melody so beautiful. The arrangement is proper, achieved after a considerable time thinking about how to make this issue sound had changed. The song was named after the cicada or COYU , known bug, after a year underground in larval form, comes out to sing wildly before he died, becoming a model of singers and musicians. About
cajoneo a hype legüero Argentina drew intersecting melodies using sizes and bad Liku of Lakita zampoñas troop , in which predominate midrange and treble. The guitar completes the apparatus necessary to form a self cueca northwest Argentina, which was the chosen style. It should be noted that this rate has other stylistic variants, especially in Chile, the central-western Argentina and southern Bolivia.
The intermediate includes a "fix" percussive incorporating Chajchir or bundle of claws (mine is chulengo hooves or breeding calls), pods, palms and a box chayera , a traditional instrument Northwest Argentine, however, is not usually used for cuecas (by which I took one in a long list of artistic license.) In addition, this part has a classical flute solo that later, as a duo, provides a base to the complex picture of the final dulcimer.
I would emphasize the complexity that can take touch legüero hype. Unlike the Andean percussion instruments (usually rhythms that make basic and quite simple), the Argentine hype (and its variants from Chile and southern Bolivia) is an instrument whose interpretation requires a particular deztreza and not limited only to set the pace: in many musical styles (eg chacareras , cats, and hidden malambos ) is a very strong presence element, which even has solos. In some cases, in particular in the malambo - the drums run complicated variations and the performers made almost juggling feats, exhibiting his ability to manage and combining the two sticks and chimes hits masterfully. I am far from achieving that level of virtuosity. However, it seemed important to "break a lance" for instruments that otherwise are almost always limited to a secondary role and background.
cueca air in a old cassette "Calchakis" that got lost some time, although, fortunately for me, I saved my musical memory of the process of losing a melody so beautiful. The arrangement is proper, achieved after a considerable time thinking about how to make this issue sound had changed. The song was named after the cicada or COYU , known bug, after a year underground in larval form, comes out to sing wildly before he died, becoming a model of singers and musicians. About
cajoneo a hype legüero Argentina drew intersecting melodies using sizes and bad Liku of Lakita zampoñas troop , in which predominate midrange and treble. The guitar completes the apparatus necessary to form a self cueca northwest Argentina, which was the chosen style. It should be noted that this rate has other stylistic variants, especially in Chile, the central-western Argentina and southern Bolivia.
The intermediate includes a "fix" percussive incorporating Chajchir or bundle of claws (mine is chulengo hooves or breeding calls), pods, palms and a box chayera , a traditional instrument Northwest Argentine, however, is not usually used for cuecas (by which I took one in a long list of artistic license.) In addition, this part has a classical flute solo that later, as a duo, provides a base to the complex picture of the final dulcimer.
I would emphasize the complexity that can take touch legüero hype. Unlike the Andean percussion instruments (usually rhythms that make basic and quite simple), the Argentine hype (and its variants from Chile and southern Bolivia) is an instrument whose interpretation requires a particular deztreza and not limited only to set the pace: in many musical styles (eg chacareras , cats, and hidden malambos ) is a very strong presence element, which even has solos. In some cases, in particular in the malambo - the drums run complicated variations and the performers made almost juggling feats, exhibiting his ability to manage and combining the two sticks and chimes hits masterfully. I am far from achieving that level of virtuosity. However, it seemed important to "break a lance" for instruments that otherwise are almost always limited to a secondary role and background.
0 comments:
Post a Comment